3 comments
“1,500 word written assignment that analyses critically one film in terms of the relationship between story and structure; you should consider camera movement, editing, and the order of scenes”
While the essay questions asks you to analyse one film in terms of the relationship between story and structure, you are nonetheless expected to contextualise your analysis – and that means you have to widen your frame of reference to include discussion of other, related films and associated ideas – and also the ‘time-line’ within which your case-study sits.
So, for example, if you are focusing on a scene in a contemporary film which makes dramatic use of montage editing and quick-fire juxtaposition of imagery (the fight scenes in Gladiator, the beach landings in Saving Private Ryan, the bird attacks in The Birds…) no discussion of this scene would be complete without you first demonstrating your knowledge of the wider context for your analysis – i.e., the ‘invisible editing’ approach as championed by W.D. Griffith, and the alternate ‘Eisensteinian’ collisions adopted by Russian filmmakers (and now absorbed into the grammar of mainstream movies). In order to further demonstrate your appreciation for the ‘time-line’ of editing and its conventions, you should make reference to key sequences in key films – ‘The Odessa Steps sequence’ from Sergei Eistenstein’s Battleship Potemkin (as in scene in the Cutting Edge documentary, but also viewable here in full
http://www.youtube.com/watch?v=Ps-v-kZzfec
Also – if further proof were needed of the influence of this scene, watch
http://www.youtube.com/watch?v=yH1tO2D3LCI&feature=related
The Cutting Edge documentary, as shown on Monday 15th Feb, is viewable on YouTube at http://www.youtube.com/watch?v=xJcQgQHR78Q
If you choose to quote from any of the ‘talking head’ sections (Ridley Scott, Walter Murch etc.), in support of your discussion, ensure you put the documentary’s original details in your bibliography (as opposed to the You Tube url). For official title and release date etc. visit
http://www.amazon.co.uk/Cutting-Edge-Magic-Editing-Region/dp/B0009PVZEG/ref=sr_1_1?ie=UTF8&s=dvd&qid=1266311784&sr=1-1
Put simply, whatever film you choose to discuss, you will need to link it to its ‘ancestors’ and also, where appropriate, to its ‘children’ – i.e., what influenced it/what it influenced.
Regarding the ‘language of editing etc.’ the following site is useful – if ugly!
http://www.aber.ac.uk/media/Documents/short/gramtv.html
I suggest you use it only as a starting point for focusing your research parameters – not as the fount of all knowledge (it isn’t!).
Something that keeps coming up is how to cite websites using the Harvard Method:
GO HERE!!!!! IT’S GOT ALL THE ANSWERS!
http://www.ucreative.ac.uk/index.cfm?articleid=25881
Thanks for the advice phil, yes i was kind of stuck on the story idea a bit. thanks for the ideas for the story, i am going to rethink the story and see what i can come up with quickly. would you say it was unwise to make the witch a young women rather than old one?
Post a Comment
Contributors
Blog Archive
- February 2011 (3)
- January 2011 (5)
- November 2010 (6)
- October 2010 (4)
- September 2010 (6)
- July 2010 (1)
- June 2010 (6)
- May 2010 (10)
- April 2010 (5)
- March 2010 (4)
- February 2010 (7)
- January 2010 (11)
- December 2009 (7)
- November 2009 (17)
- October 2009 (18)